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See It: Photographic Composition Using Visual Intensity, by Josh Anon, Ellen Anon
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An outstanding image consists of more than just acceptable exposure and sharp focus - the two components that most photography instruction emphasize. A fascinating subject doesn't necessarily result in a good image, and likewise, it's possible to create an impressive image from a mundane subject. How do you capture that perfect image, and more importantly, what makes it great? That's where this book comes in. Rather than wasting time trying one approach after another until something seems right or memorizing a list of rules, discover a new, more comprehensive and yet intuitive way to think about photography and see the world around you by using visual intensity. The quality of your imagery and the speed of your workflow will both vastly improve once you are able to use these techniques to articulate why you prefer one image to another. Mother and son team Ellen and Josh Anon have spent years perfecting their visual intensity based approach to composition, and in this gorgeous, full color guide, they'll share their techniques with you so that your overall photographic experience, both in terms of time investment and quality of output, will become far more satisfying.
- Sales Rank: #958350 in Books
- Published on: 2012-10-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 9.00" l, 2.90 pounds
- Binding: Paperback
- 348 pages
About the Author
Professional Photographers, US.
Most helpful customer reviews
23 of 25 people found the following review helpful.
Put This Book at the Top of Your List
By Charlotte K. Lowrie
There are a lot of books on how to compose pleasing images. A lot. And I've read a lot of them. But if you want to cut to the chase and learn how to compose images that are brimming with visual energy, then I highly recommend reading "See It: Photographic Composition Using Visual Intensity" by Ellen and Josh Anon. The authors not only break down elements that add visual energy to photographs, but they also explain "why" each element adds to the energy or intensity. And when you understand the "why's" of visual intensity, then you can quickly get to the heart of the scene or subject when you're shooting.
The first part of the book offers in-depth information on visual and compositional elements including light, lines, shapes, textures, color, framing, and storytelling. Next, the authors evaluate a series of images in the Putting It All Together chapter. Then they walk readers through the process of creating images with visual intensity both in the field during shooting and during image editing. In addition, the book is generously and beautifully illustrated. By the time you finish the book, you'll have a good understanding of what it takes to make strong images with maximum visual impact.
If you're serious about moving your photography to the next level, then this book should be at the top of your list.
22 of 25 people found the following review helpful.
A New Approach
By Conrad J. Obregon
All of technique, e.g., shutter speed, focusing, and aperture, has only one purpose: the composition. The composition is ultimately how the photographer conveys his vision to the viewer. In this book Josh and Ellen Anon suggest a new approach to composition, visual intensity. Roughly speaking, visual intensity refers to the amount of energy in a photograph, but even that definition is only a very rough description.
After defining visual intensity, the book reviews the usual compositional elements like perception; lines, shapes and textures; color; framing; light; and visual story telling, pointing out how each contributes to visual intensity. At the same time the authors review traditional rules of composition, like the rule of thirds and horizon placement. The authors then show a portfolio of works by different renowned photographers, explaining how the concept of visual intensity contributes to each image. The next chapter shows how the previously explored concepts apply to capturing images in the field. The authors demonstrate how the rules of visual intensity apply to digital processing, and then mention a few other creative techniques like high dynamic range photography.
This is my first contact with the concept of visual intensity and I found it quite useful as an approach to composition different from traditional rules. Most photographers, regardless of skill level, will benefit from studying this approach, although it would be useful to have some experience as a photographer to best apply the approach. For example, in post processing, the explanation of how to use Lightroom, Aperture, Photoshop and plug-ins like NIK Color Effects Pro to control visual intensity will only be understood by those familiar with post-processing software, even though the authors writing style is quite clear. Similarly, one should have a good understanding of exposure and focus.
I did have one objection. Sidebars are printed on a light-blue background, with grey sans-serif print that is extremely difficult to read. I think it's time for the publisher to evaluate its use of fonts in its instructional manuals. Nevertheless, the book is good enough and important enough that this one fault shouldn't stop photographers from reading it.
I consider this one of the most important books on photography techniques printed this year, and recommend it highly.
16 of 19 people found the following review helpful.
Must Read
By biglens
This is an incredibly detailed well written book on the important aspect of photography. I would add this to the great classic on composition, Richard Zakia's Perception and Photography, which I use to recommend to my photography students.
Ellen has a unique background that makes her well prepared to write this book. She is a psychologist who took up photography latter in life. Her psychological training and background enabled her to study, examine, and explain what elements make up a compelling strong photographic image.
After learning the techniques and science of photography this should be the book that will take your images to the next level from technically proficient to having great impact and composition.
Having taught photography for over 20 yrs, I would have to say this book is a must read for people wanting to improve there images.
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